These largely acoustic songs reacquaint us with his tremulous, soulful vocals and cutting lyrical style. The analysis shows that this poem, though seems a simple description of the natural beauty, has a deceptive pull to spellbound the reader.And a tremulous smile haunts her lips as she realizes that the audition is only partly to blame. Such as, “The tide is full, the moon lies fair” “Of pebbles which the waves draw back, and fling” and “Where the sea meets the moon-blanched land.” Imagery: Imagery is used to make readers perceive things involving their five senses.“To one another! for the world, which seems For example, the world is compared to the land of dreams in the below lines. Simile: It is a figure of speech used to compare something with something else to make the readers understand what it is.Similarly, “sea of faith” symbolizes faith in god and Tide leaving the shore” is the symbol of lost faith. Symbolism: Symbolism is using symbols to signify ideas and qualities, giving them symbolic meanings different from literal meanings.For example, “Listen! you hear the grating roar, Of pebbles which the waves draw back, and fling” and “eternal note of sadness.” Human beings experience these feelings attributed to pebbles. Pathetic Fallacy: It is a figure of speech in which objects are attributed to human emotions.For example, ‘Sophocles’ refers to the great Greek play writer and in the third stanza “sea of faith” refers to the world of religions. This poem contains allusions as in the second stanza. Allusion: Allusion is a belief and an indirect reference of a person, place, thing or idea of a historical, cultural, political or literary significance.Swept with confused alarms of struggle and flight.” Enjambment: It is defined as a thought or verse that does not come to an end at a line break instead moves over the next line.Alliteration: Alliteration is the repetition of consonant sounds in the same line such as the sound of /l/ in “To lie before us like a land of dreams”.Assonance: Assonance is the repetition of vowel sounds in the same line such as the sound of /e/ and /o/in “Hath really neither joy, nor love, nor light”.The analysis of some of the literary devices used in this poem has been discussed below. Mathew Arnold has used some literary devices to bring depth in this poem. The writer uses them to bring uniqueness and depth in the simple texts. Literary devices play a pivotal role in shaping a literary piece of work. Analysis of Literary Devices in “Dover Beach” Therefore, he urges his beloved and himself to be true to one another to survive in this land. Although the world appears as a land of mesmerizing dreams, in reality, humanity is standing on the verge of chaos perplex, confused and empty from inside. He laments the loss of faith in the world with resultant cruelty, uncertainty, and violence. Major themes in “Dover Beach”: Man, the natural world and loss of faith are the major themes in the poem.The poem conveys a message that it is only through love people can find the lost faith. Also, people are unable to differentiate between reality and illusion. But, now it has become hollow without any joy, happiness, and faith. He states that in the past people had faith in the past, and the world was a good place. This enchanting scene reminds him of the Greek dramatics, Sophocles and his tragic plays. He also calls his love to enjoy this majesty of nature, glimmering lighthouse, famous white cliffs of Dover and the sound of waves, hitting at the seashore. At first, standing on the cliffs of Dover Beach, he records his feelings about the tranquil sea. The poet argues that the world is no more beautiful as it used to be. “Dover Beach” Criticism on the World: The poem presents two things: the reality of the new world and loss of faith.It also illustrates how the beauty of the world is corroded with the loss of faith. The poem describes a distinct clash between religion and the modern world. Popularity of “Dover Beach”: Matthew Arnold, a famous poet, and critic wrote Dover Beach, a famous dramatic monologue.Swept with confused alarms of struggle and flight, Nor certitude, nor peace, nor help for pain Hath really neither joy, nor love, nor light, To one another! for the world, which seems Of the night-wind, down the vast edges drear Lay like the folds of a bright girdle furled. Was once, too, at the full, and round earth’s shore Of pebbles which the waves draw back, and fling, Where the sea meets the moon-blanched land, Glimmering and vast, out in the tranquil bay.Ĭome to the window, sweet is the night-air! Gleams and is gone the cliffs of England stand, Upon the straits on the French coast the light
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